{"id":1682,"date":"2011-05-10T15:41:15","date_gmt":"2011-05-10T13:41:15","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/?p=1682"},"modified":"2011-05-10T15:41:15","modified_gmt":"2011-05-10T13:41:15","slug":"colloque-the-archive-as-project","status":"publish","type":"post","link":"https:\/\/histoirevisuelle.fr\/cv\/icones\/1682\/","title":{"rendered":"Colloque &quot;The Archive as Project&quot;"},"content":{"rendered":"<p><em><a href=\"http:\/\/www.flickr.com\/photos\/gunthert\/5719214286\/in\/photostream\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" src=\"http:\/\/farm3.static.flickr.com\/2624\/5719214286_79d236c60f.jpg\" alt=\"\" width=\"500\" height=\"333\" \/><\/a>13-15 mai 2011, Centrum Kultury Nowy Wspania\u0142y \u015awiat<\/em>, ul. Nowy \u015awiat 63 w Warszawie.<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong>May 13th<\/strong><\/p>\n<p>9:30-12:50 <em>The Archive in Theory I<\/em><\/p>\n<ul>\n<li>Sven Spieker <!-- @font-face {   font-family: \"Courier New\"; }@font-face {   font-family: \"Wingdings\"; }@font-face {   font-family: \"\uff2d\uff33 \u30b4\u30b7\u30c3\u30af\"; }@font-face {   font-family: \"Verdana\"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: \"Times New Roman\"; }p.MsoNoteLevel1, li.MsoNoteLevel1, div.MsoNoteLevel1 { margin: 0cm 0cm 0.0001pt; text-indent: 0cm; page-break-after: avoid; font-size: 12pt; font-family: \"Times New Roman\"; }p.MsoNoteLevel1CxSpFirst, li.MsoNoteLevel1CxSpFirst, div.MsoNoteLevel1CxSpFirst { margin: 0cm 0cm 0.0001pt; text-indent: 0cm; page-break-after: avoid; font-size: 12pt; font-family: \"Times New Roman\"; }p.MsoNoteLevel1CxSpMiddle, li.MsoNoteLevel1CxSpMiddle, div.MsoNoteLevel1CxSpMiddle { margin: 0cm 0cm 0.0001pt; 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text-indent: -18pt; page-break-after: avoid; font-size: 12pt; font-family: \"Times New Roman\"; }p.MsoNoteLevel9CxSpMiddle, li.MsoNoteLevel9CxSpMiddle, div.MsoNoteLevel9CxSpMiddle { margin: 0cm 0cm 0.0001pt 306pt; text-indent: -18pt; page-break-after: avoid; font-size: 12pt; font-family: \"Times New Roman\"; }p.MsoNoteLevel9CxSpLast, li.MsoNoteLevel9CxSpLast, div.MsoNoteLevel9CxSpLast { margin: 0cm 0cm 0.0001pt 306pt; text-indent: -18pt; page-break-after: avoid; font-size: 12pt; font-family: \"Times New Roman\"; }div.Section1 { page: Section1; }ol { margin-bottom: 0cm; }ul { margin-bottom: 0cm; } --> (Bar Ilan University) and Akram Zaatari<\/li>\n<\/ul>\n<p><!--more-->15:30-17:50 <em>The Institutional Perspective I<\/em><\/p>\n<ul>\n<li>Mikl\u00f3s Tam\u00e1si (Open Society Archives), <em>The Open Society Archvies\u2019 Photographic Collection and the Fortepan Initiative<\/em><\/li>\n<li>Anita Nilsen (Norsk Teknisk Museum, Oslo), DEXTRA Photo. A Commercial Photo Bureau and a Museum Collection<\/li>\n<li>Grayson Dantzic (APAG), The American Photography Archives Group Zuzana Meisnerov\u00e1 Wismer (Langhans Gallery), One Name \u2013 One Place \u2013 One Theme<\/li>\n<li>Karolina Lewandowska (Archeology of Photography Foundation), Siting \u00ab\u00a0Archival\u00a0\u00bb NGOs<\/li>\n<\/ul>\n<p>18:00-19:30 <em>The Archive Looking Awry II<\/em><\/p>\n<ul>\n<li>Documentary Photography and the Archive: Wojciech Wilczyk and Iwona Kurz<\/li>\n<\/ul>\n<p><strong>May 14th<\/strong><\/p>\n<p>9:30-11:40 <em>The Archive in Theory II \u2013 The \u201cDigital\u201d Archive<\/em><\/p>\n<ul>\n<li>Wolfgang Ernst (<!-- p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: \"Times New Roman\"; }p { margin-right: 0cm; margin-bottom: 5.95pt; margin-left: 0cm; font-size: 12pt; font-family: \"Times New Roman\"; }div.Section1 { page: Section1; } -->Humboldt-Universit\u00e4t, Berlin), Archive, Storage, Entropy. Tempor(e)alities of Photography<\/li>\n<li>Nina Lager Vestberg (<!-- p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: \"Times New Roman\"; }em {  }div.Section1 { page: Section1; } -->Norwegian University of Science and Technology), Places, Pleasures, Possessions: the Material World of Archives<\/li>\n<li>Andr\u00e9 Gunthert (EHESS), The Image Bank, archive of the industrial history of photography<\/li>\n<\/ul>\n<p>11:50-13:20 <em>The Archive Looking Awry III<\/em><\/p>\n<ul>\n<li>Kisieland \u2013 Queering the Archive: Karol Radziszewski and Tomasz Basiuk<\/li>\n<\/ul>\n<p><em>14:20-16:20 The Institutional Perspective II<\/em><\/p>\n<ul>\n<li>Nikodem Boncza-Tomaszewski (National Digital Archives), Digital Archival Practice. Will Digital Archives Be Open?<\/li>\n<li>Didier Schulmann (Biblioth\u00e8que Kandinsky, Centre Pompidou), Why Collect Millions of Photographic Images in a Museum of Modern Art Research Department? The Case of Biblioth\u00e8que Kandinsky<\/li>\n<li>Harald \u00d8stgaard Lund (National Library, Oslo), 80 Million Pictures and the Image of the Norwegian Polar Hero<\/li>\n<li>Katarzyna Mado\u0144-Mitzner (History Meeting House), Exhibitions and Presentations at the History Meeting House: Photography as Narrative \u2013 Testimony \u2013 Creation<\/li>\n<\/ul>\n<p>16:30-18:00 <em>The Archive Looking Awry IV<\/em><\/p>\n<ul>\n<li>Archives of the Everyday: Lucia Nimcova and Ewa Klekot<\/li>\n<\/ul>\n<p>18:10-19:30 <em>Roundtable discussion<\/em> (chair: Marianna Micha\u0142owska, <!-- p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: \"Times New Roman\"; }em {  }div.Section1 { page: Section1; } --> Adam Mickiewicz University, Pozna\u0144)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>13-15 mai 2011, Centrum Kultury Nowy Wspania\u0142y \u015awiat, ul. Nowy \u015awiat 63 w Warszawie. May 13th 9:30-12:50 The Archive in Theory I [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[36,42,54,62],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p80eNK-r8","jetpack-related-posts":[{"id":1738,"url":"https:\/\/histoirevisuelle.fr\/cv\/icones\/1738\/","url_meta":{"origin":1682,"position":0},"title":"Cartes postales du mois de mai","date":"28 mai 2011","format":false,"excerpt":"En mai, fait ce qu'il te pla\u00eet, dit le dicton. Mais si l'on ajoute les soubresauts de l'actualit\u00e9 \u00e0 l'agenda universitaire, on comprendra que je ne suis pas f\u00e2ch\u00e9 de voir la fin d'un mois plut\u00f4t anim\u00e9. 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Argument. Fortement structur\u00e9es autour des formes culturelles, les\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/10\/silaphotoestbonne-695x463.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2643,"url":"https:\/\/histoirevisuelle.fr\/cv\/icones\/2643\/","url_meta":{"origin":1682,"position":3},"title":"Journ\u00e9e d&#039;\u00e9tudes: &quot;De la diversite\u0301 des humanite\u0301s nume\u0301riques: une exploration des pratiques&quot;","date":"27 f\u00e9vrier 2013","format":false,"excerpt":"Lundi 25 mars 2013, EHESS, amphithe\u0301a\u0302tre, 105 bd Raspail, 75006 Paris (entre\u0301e libre dans la limite des places disponibles). Comite\u0301 d\u2019organisation: Francis Chateauraynaud, Patrick Fridenson, Jean-Pierre Nadal. 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