{"id":1257,"date":"2010-12-08T09:26:55","date_gmt":"2010-12-08T08:26:55","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/?p=1257"},"modified":"2010-12-08T09:26:55","modified_gmt":"2010-12-08T08:26:55","slug":"interactivite-des-ecrans-live-a-17h","status":"publish","type":"post","link":"https:\/\/histoirevisuelle.fr\/cv\/icones\/1257\/","title":{"rendered":"Histoire des interfaces graphiques (live)"},"content":{"rendered":"<p>Diffusion en <em>streaming<\/em> de la s\u00e9ance de l&rsquo;atelier du Lhivic avec Benjamin Thierry, qui consacre sa th\u00e8se \u00e0 l\u2019histoire des \u00e9crans de visualisation et de l\u2019interactivit\u00e9 graphique dans les t\u00e9l\u00e9communications et l\u2019informatique, INHA, biblioth\u00e8que du CEHTA, mercredi 8 d\u00e9cembre 2010, 17h-19h30 (<a href=\"http:\/\/www.blog-video.tv\/video-6241210d3a-Archive-tele-du-08-12-2010-19-57-15.html\">archive<\/a>).<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1263\" title=\"atelierecrans\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2010\/12\/atelierecrans.jpg\" alt=\"\" width=\"695\" height=\"281\" srcset=\"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2010\/12\/atelierecrans.jpg 695w, https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2010\/12\/atelierecrans-300x121.jpg 300w\" sizes=\"(max-width: 695px) 100vw, 695px\" \/><\/p>\n<p><em>Bibliographie<\/em>: Benjamin Thierry, \u00ab\u00a0<a href=\"http:\/\/hdl.handle.net\/2042\/24157\">La communication homme-machine et le de\u0301veloppement de l\u2019informatique<\/a>\u00ab\u00a0, <em>Herme\u0300s<\/em>, n\u00b050, 2008, p. 91-98.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Diffusion en streaming de la s\u00e9ance de l&rsquo;atelier du Lhivic avec Benjamin Thierry, qui consacre sa th\u00e8se \u00e0 l\u2019histoire des \u00e9crans de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19,26],"tags":[72,76],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p80eNK-kh","jetpack-related-posts":[{"id":1118,"url":"https:\/\/histoirevisuelle.fr\/cv\/icones\/1118\/","url_meta":{"origin":1257,"position":0},"title":"L\u2019essor de l&#039;orientation visuelle dans la presse en ligne","date":"27 septembre 2010","format":false,"excerpt":"Thierry Gervais est le premier \u00e0 avoir attir\u00e9 l'attention sur le r\u00f4le structurant de la pr\u00e9sentation graphique des p\u00e9riodiques illustr\u00e9s ((cf. Thierry Gervais, \"L\u2019invention du magazine\", \u00c9tudes photographiques, n\u00b0 20, juin 2007)). De longue date, les ressources de la typographie ont \u00e9t\u00e9 utilis\u00e9es pour agencer visible et lisible. Depuis le\u2026","rel":"","context":"Dans &quot;En images&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm5.static.flickr.com\/4103\/5029428854_1fc7641346_z.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2259,"url":"https:\/\/histoirevisuelle.fr\/cv\/icones\/2259\/","url_meta":{"origin":1257,"position":1},"title":"M\u00e9moires du Lhivic en ligne","date":"28 d\u00e9cembre 2011","format":false,"excerpt":"Th\u00e8ses Estelle Blaschke, Photography and the Commodification of Images. From the Bettmann Archive to Corbis (1924-2010), th\u00e8se de doctorat de l\u2019EHESS, sous la direction d\u2019Andr\u00e9 Gunthert et Michel Poivert, 2011, 280 p. (11 Mo). Thierry Gervais, L\u2019Illustration photographique. Naissance du spectacle de l\u2019information, 1843-1914, th\u00e8se de doctorat de l\u2019EHESS, sous\u2026","rel":"","context":"Dans &quot;Lhivic&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1266,"url":"https:\/\/histoirevisuelle.fr\/cv\/icones\/1266\/","url_meta":{"origin":1257,"position":2},"title":"Parution \u201cEtudes photographiques\u201d n\u00b026","date":"9 d\u00e9cembre 2010","format":false,"excerpt":"La Soci\u00e9t\u00e9 fran\u00e7aise de photographie annonce la parution du n\u00b0 26 d\u2019Etudes photographiques. Sommaire Thierry Gervais, Vanessa R. Schwartz, Christian Delage, \"Introduction\" Thierry Gervais, \"Le plus grand des photographes de guerre. Jimmy Hare, photoreporter au tournant du 19e et du 20e s.\/The Greatest of war photographers\u2019: Jimmy Hare, A Photojournalist\u2026","rel":"","context":"Dans &quot;Lhivic&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm6.static.flickr.com\/5166\/5245894059_ab769e1c93_d.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2705,"url":"https:\/\/histoirevisuelle.fr\/cv\/icones\/2705\/","url_meta":{"origin":1257,"position":3},"title":"&quot;\u00c9crans, agenda, cadrages. Les \u2018effets des m\u00e9dias\u2019 dans les classes populaires&quot;","date":"9 avril 2013","format":false,"excerpt":"Vincent Goulet (universit\u00e9 de Lorraine), auteur de\u00a0M\u00e9dias et classes populaires. Les usages ordinaires des informations (INA, 2010), pr\u00e9sentera une intervention intitul\u00e9e: \"\u00c9crans, agenda, cadrages. Notes ethnographiques sur les \u2018effets des m\u00e9dias\u2019 dans les classes populaires\", dans le cadre du seminaire \"Le g\u00e9nie des images\",\u00a0jeudi 18 avril,\u00a018h-20h, salle Walter Benjamin, INHA,\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2741,"url":"https:\/\/histoirevisuelle.fr\/cv\/icones\/2741\/","url_meta":{"origin":1257,"position":4},"title":"S\u00e9minaires 2013-2014","date":"10 mai 2013","format":false,"excerpt":"Iconologie des m\u00e9diacultures S\u00e9minaire de recherche ouvert aux doctorants et masterants, 1er et 3e jeudis du mois de 18 h \u00e0 20 h (INHA, salle Walter-Benjamin, 2 rue Vivienne, 75002 Paris), du 7 novembre 2013 au 15 mai 2014 (descriptif sur le site de l\u2019EHESS). Le projet du s\u00e9minaire est\u2026","rel":"","context":"Dans &quot;Enseignement&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8176\/8030898820_90aacbef92.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2405,"url":"https:\/\/histoirevisuelle.fr\/cv\/icones\/2405\/","url_meta":{"origin":1257,"position":5},"title":"S\u00e9minaires 2012-2013","date":"29 mai 2012","format":false,"excerpt":"Le g\u00e9nie des images, enqu\u00eate en culture visuelle S\u00e9minaire de recherche ouvert aux \u00e9tudiants en M2 et doctorants, 1er et 3e jeudis du mois de 18 h \u00e0 20 h (INHA, salle Walter-Benjamin, 2 rue Vivienne, 75002 Paris), du 15 novembre 2012 au 16 mai 2013 (descriptif sur le site\u2026","rel":"","context":"Dans &quot;Enseignement&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8476\/8376092204_18cf9f4f1e.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/1257"}],"collection":[{"href":"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/comments?post=1257"}],"version-history":[{"count":0,"href":"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/1257\/revisions"}],"wp:attachment":[{"href":"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/media?parent=1257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/categories?post=1257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/tags?post=1257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}