{"id":2998,"date":"2014-05-08T12:13:51","date_gmt":"2014-05-08T10:13:51","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/?p=2998"},"modified":"2014-05-08T12:13:51","modified_gmt":"2014-05-08T10:13:51","slug":"le-contenu-partageable-objet-culturel-du-troisieme-type","status":"publish","type":"post","link":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2998\/","title":{"rendered":"Le contenu partageable, objet culturel du troisi\u00e8me type"},"content":{"rendered":"<p>Vid\u00e9o des interventions de Dominique Sagot-Duvauroux (universit\u00e9 d&rsquo;Angers) et moi-m\u00eame au s\u00e9minaire du Centre de recherche sur les arts et le langage (CRAL\/EHESS), consacr\u00e9 \u00e0 \u00ab\u00a0<a href=\"http:\/\/cral.ehess.fr\/index.php?1657\">L&rsquo;appropriation, condition des circulations culturelles<\/a>\u00a0\u00bb (28\/04\/14, captation de Momoko Seto).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vid\u00e9o des interventions de Dominique Sagot-Duvauroux (universit\u00e9 d&rsquo;Angers) et moi-m\u00eame au s\u00e9minaire du Centre de recherche sur les arts et le langage [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[44,49,67,77],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p80eNK-Mm","jetpack-related-posts":[{"id":2324,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2324\/","url_meta":{"origin":2998,"position":0},"title":"Soutenance de th\u00e8se &quot;La mise en r\u00e9cit de Shoah&quot;, par R\u00e9my Besson","date":"20 f\u00e9vrier 2012","format":false,"excerpt":"La th\u00e8se de doctorat d'histoire culturelle La mise en r\u00e9cit de Shoah, pr\u00e9sent\u00e9e par R\u00e9my Besson \u00e0 l'EHESS sera soutenue publiquement le vendredi\u00a0 9 mars 2012, de 9h \u00e0 13h, salle Vasari, \u00e0 l'INHA, 2 rue Vivienne, 75002 Paris. Jury: Christian Delage, (directeur, Paris 8\/EHESS), Philippe Despoix (universit\u00e9 de Montr\u00e9al),\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2055,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2055\/","url_meta":{"origin":2998,"position":1},"title":"Colloque &quot;Si la photo est bonne&quot;","date":"3 octobre 2011","format":false,"excerpt":"\"Si la photo est bonne. Le r\u00f4le des industries culturelles dans la construction de l'imaginaire\" colloque du Lhivic\/EHESS (direction: Andr\u00e9 Gunthert), 20-22 octobre 2011, Auditorium, Institut national d'histoire de l'art (INHA), 2, rue Vivienne\/6, rue des Petits-Champs, 75002 Paris (plan), entr\u00e9e libre. Argument. Fortement structur\u00e9es autour des formes culturelles, les\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/10\/silaphotoestbonne-695x463.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2643,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2643\/","url_meta":{"origin":2998,"position":2},"title":"Journ\u00e9e d&#039;\u00e9tudes: &quot;De la diversite\u0301 des humanite\u0301s nume\u0301riques: une exploration des pratiques&quot;","date":"27 f\u00e9vrier 2013","format":false,"excerpt":"Lundi 25 mars 2013, EHESS, amphithe\u0301a\u0302tre, 105 bd Raspail, 75006 Paris (entre\u0301e libre dans la limite des places disponibles). Comite\u0301 d\u2019organisation: Francis Chateauraynaud, Patrick Fridenson, Jean-Pierre Nadal. Matin\u00e9e: Blandine Bril (EHESS), pre\u0301sidente de se\u0301ance 9h-9h30 Ouverture: Pierre-Cyrille Hautcoeur, pre\u0301sident de l'EHESS; Philippe Casella, direction du de\u0301veloppement de la recherche a\u0300\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3018,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/3018\/","url_meta":{"origin":2998,"position":3},"title":"S\u00e9minaires 2014-2015","date":"31 mai 2014","format":false,"excerpt":"Les usages ordinaires des images L\u2019histoire de l\u2019art comme les visual studies privil\u00e9gient une approche autonomiste des images, bien loin de leurs usages r\u00e9els. Utilis\u00e9es comme supports de r\u00e9cit ou espaces de projection, les images interviennent dans la culture ordinaire de fa\u00e7on d\u00e9corative ou utilitaire, \u00e0 des fins principalement r\u00e9f\u00e9rentielles,\u2026","rel":"","context":"Dans &quot;Enseignement&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1678,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1678\/","url_meta":{"origin":2998,"position":4},"title":"S\u00e9minaires 2011-2012","date":"9 mai 2011","format":false,"excerpt":"Mythes, images monstres S\u00e9minaire de recherche ouvert aux \u00e9tudiants en M2 et doctorants, 1er et 3e jeudis du mois de 18 h \u00e0 20 h 30 (INHA, salle Walter-Benjamin, 2 rue Vivienne, 75002 Paris), du 3 novembre 2011 au 3 mai 2012 (descriptif sur le site de l'EHESS). 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