{"id":2356,"date":"2012-04-17T12:14:57","date_gmt":"2012-04-17T10:14:57","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/?p=2356"},"modified":"2012-04-17T12:14:57","modified_gmt":"2012-04-17T10:14:57","slug":"colloque-american-art-and-the-mass-media-2-3052012","status":"publish","type":"post","link":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2356\/","title":{"rendered":"Colloque &quot;American Art and the Mass Media&quot;, 2-3\/05\/2012"},"content":{"rendered":"<p>2-3 May 2012, Institut national d&rsquo;histoire de l&rsquo;art (INHA), 2 rue Vivienne, 75002 Paris (<em>open to all, free admission<\/em>).<\/p>\n<p>Organized by Dr Jason E. Hill (INHA) and Dr Elisa Schaar (The Courtauld Institute of Art)<\/p>\n<p>This two-day international symposium considers the dynamic interplay of the fine arts and the technologies and structures of the mass media across the long narrative of American art history. Taking as an occasion the &lsquo;Warhol: Headlines&rsquo; travelling exhibition that premiered at the National Gallery of Art in Washington in the autumn of 2011 and that systematically explored Andy Warhol\u2019s artistic preoccupation with the visual culture of journalism, our program aims to grant visibility to the exciting correspondences or tensions that emerge when such disciplinary boundaries as have fractured the study of the fine arts and more instrumental communicative media are, even if only temporarily, set aside. The spectrum of research encompasses moments of intersection between fine arts discourse and the various technological and historically specific modalities of mass media culture from the sixteenth-century printing press and the nineteenth-century panorama to the experimental cinema of the sixties and our present social media sphere.<!--more--><\/p>\n<p><strong>Programme: Wednesday May 2<\/strong> (Auditorium)<\/p>\n<ul>\n<li>10.30 Welcome and Introductory Remarks, Jason E. Hill and Elisa Schaar, Veerle Thielemans (Terra Foundation Europe), S\u00e9gol\u00e8ne Le Men (Universit\u00e9 Paris X Nanterre)<\/li>\n<\/ul>\n<p><strong>11.00 Stop Press<\/strong><\/p>\n<ul>\n<li>Molly Donovan (National Gallery of Art, Washington): <em>Warhol\u2019s Headlines: Social Consciousness Like you Read About<\/em><\/li>\n<li> Jason LaFountain (Harvard University): <em>Inc.: the Art of Living, Print Media and the Puritans<\/em><\/li>\n<li>John Fagg (University of Birmingham): <em>\u201ca clean sweep of the truck\u201d: Clutter and Commercial Illustration <\/em><\/li>\n<\/ul>\n<p><strong>12.30 Break<\/strong><\/p>\n<p><strong>12.45 In the Loop<\/strong><\/p>\n<ul>\n<li>Filip Lipinski (Adam Mickiewicz University Pozna\u0144): <em>The Virtual Hopper. <\/em>Nighthawks<em> Between Dissemination and Desire <\/em><\/li>\n<li>Annie Claustres (Institut national d\u2019histoire de l\u2019art): <em>La m\u00e9diatisation de l\u2019objet manufactur\u00e9 dans les ann\u00e9es 1980<\/em><\/li>\n<\/ul>\n<p><strong>3.00 On Location<\/strong><\/p>\n<ul>\n<li>Maria Slowinska (Freie Universit\u00e4t, Berlin): <em>Negotiating the Materiality of Site: Prada Marfa<\/em><\/li>\n<li>Nenette Luarca-Shoaf (University of Delaware): <em>Intermedial Encounters with the Mississippi River, ca. 1850<\/em><\/li>\n<\/ul>\n<p><strong>4.30 Intermedia<\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<ul>\n<li>Juan Carlos Kase (University of North Carolina, Wilmington): \u201c<em>The Content of Any Medium<\/em> <em>Is Always Another Medium\u00a0\u00bb: Experimental Cinema and the Televisual Mosaics of Paik, Yalkut,<\/em> <em>and Warhol<\/em><\/li>\n<li>Christian Delage (Universit\u00e9 Paris 8): <em>Jason Moran in the Mind of Thelonious Monk: a multimedia experiment involving narration, graphic art, video, and still photography<\/em><\/li>\n<\/ul>\n<p><strong>Programme: Thursday May 3<\/strong> (Salle Vasari)<\/p>\n<ul>\n<li>11.00 Welcome and Introductory Remarks: Jason E. Hill and Elisa Schaar, Jean-Loup Bourget (\u00c9cole normale sup\u00e9rieure)<\/li>\n<\/ul>\n<p><strong>11.15 Jacks of All Trades<\/strong><\/p>\n<ul>\n<li>Michael Lobel (Purchase College, State University of New York): <em>John Sloan: Between Art and Illustration<\/em><\/li>\n<li>Sara Doris (Northeastern University, Boston): <em>Media\/Art: McLuhan and Warhol in the 1960s<\/em><\/li>\n<li>Stephanie Schwartz (University College, London): <em>Film Stills: Paul Strand and the Invention of Documentary Film <\/em><\/li>\n<\/ul>\n<p><strong>2.00 Show Business<\/strong><\/p>\n<ul>\n<li>James Boaden (University of York): <em>Parker Tyler, <\/em>Myra Breckinridge<em>, and Queer Surreal Fandom<\/em><\/li>\n<li>Richard Meyer (University of Southern California): \u2018<em>Photography is Elastic\u2019: Weegee\u2019s Cock-Eyed View of Hollywood<\/em><\/li>\n<\/ul>\n<p><strong>3.15 MoMA and Media<\/strong><\/p>\n<ul>\n<li>Kristen Gresh (Museum of Fine Arts, Boston): <em>New(s) Pictures on the Walls of the MoMA at Mid-Century<\/em><\/li>\n<li>Fran\u00e7ois Brunet (Universit\u00e9 Paris Diderot): <em>Photography in 1938: Taft&rsquo;s American scene vs. Newhall&rsquo;s medium<\/em><\/li>\n<li>Ursula Frohne (University of Cologne): <em>The impact of INFORMATION: American Art in Competition with New Media Culture<\/em><\/li>\n<\/ul>\n<p><strong>5.15 Traffic<\/strong><\/p>\n<ul>\n<li>Jorge Ribalta (Museu d\u2019Art Contemporani de Barcelona): <em>Public photographic spheres <\/em><\/li>\n<li>Andr\u00e9 Gunthert (EHESS, Paris): <em>The Work of Art in the Age of Digital Appropriation<\/em><\/li>\n<\/ul>\n<p><strong>6.15 Closing discussion<\/strong><\/p>\n<p><em>Sponsored by the Terra Foundation for American Art and co-sponsored by The Courtauld Institute of Art and by the Institut national d&rsquo;histoire de l&rsquo;art (INHA) in Paris in partnership with the Ecole Normale Sup\u00e9rieure, the Universit\u00e9 Paris-Ouest Nanterre la D\u00e9fense and the Universit\u00e9 Fran\u00e7ois Rabelais de Tours.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2-3 May 2012, Institut national d&rsquo;histoire de l&rsquo;art (INHA), 2 rue Vivienne, 75002 Paris (open to all, free admission). Organized by Dr [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[37,42,45],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p80eNK-C0","jetpack-related-posts":[{"id":2341,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2341\/","url_meta":{"origin":2356,"position":0},"title":"Prochaines interventions","date":"28 mars 2012","format":false,"excerpt":"\"L'image appropriable, ou le sc\u00e9nario de la Distinction\", communication dans le cadre du colloque Teaching\/Learning Photography, Rouen, h\u00e9micycle de l'H\u00f4tel de r\u00e9gion, 30 mars 2012, 16h. \"La l\u00e9gende par l'image. De la peinture d'histoire \u00e0 l'ic\u00f4ne photographique\", intervention dans le s\u00e9minaire du Centre d'histoire et th\u00e9orie des arts, Paris, INHA,\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm8.staticflickr.com\/7153\/6440489515_9bf356cdd6_n.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2055,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2055\/","url_meta":{"origin":2356,"position":1},"title":"Colloque &quot;Si la photo est bonne&quot;","date":"3 octobre 2011","format":false,"excerpt":"\"Si la photo est bonne. Le r\u00f4le des industries culturelles dans la construction de l'imaginaire\" colloque du Lhivic\/EHESS (direction: Andr\u00e9 Gunthert), 20-22 octobre 2011, Auditorium, Institut national d'histoire de l'art (INHA), 2, rue Vivienne\/6, rue des Petits-Champs, 75002 Paris (plan), entr\u00e9e libre. Argument. Fortement structur\u00e9es autour des formes culturelles, les\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/10\/silaphotoestbonne-695x463.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2444,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2444\/","url_meta":{"origin":2356,"position":2},"title":"Interventions 2011-2012","date":"26 juin 2012","format":false,"excerpt":"\"La disparition du photographique\", Photofocus, Paris, septembre 2011. \"La fabrique du d\u00e9sir. Naissance des industries culturelles\", communication, colloque \"Si la photo est bonne\", INHA, octobre 2011. \"Du piratage \u00e0 l'\u0153uvre collaborative: \u00e9mergence d'une culture de l'appropriation\", conf\u00e9rence dans le seminaire de la fondation Copernic, Paris, novembre 2011. \"L'image fluide, la\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm8.staticflickr.com\/7218\/7189835724_c807a6e371_n.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":205,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/205\/","url_meta":{"origin":2356,"position":3},"title":"Colloque &quot;L\u2019histoire sociale de l\u2019art&quot;","date":"8 d\u00e9cembre 2009","format":false,"excerpt":"Colloque international \"L\u2019histoire sociale de l\u2019art, g\u00e9n\u00e9alogies et enjeux d\u2019une pratique\", 11-12 d\u00e9cembre 2009, INHA, 6 rue des Petits-Champs, 75002 Paris. Le colloque organis\u00e9 par l\u2019Institut national d\u2019histoire de l\u2019art dans le cadre du programme triennal \"Histoire sociale de l\u2019art, histoire artistique du social\", soutenu par la Fondation de France,\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":505,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/505\/","url_meta":{"origin":2356,"position":4},"title":"Colloque: &quot;Le num\u00e9rique \u00e9ditorial et sa gouvernance: entre savoirs et pouvoirs&quot;","date":"5 avril 2010","format":false,"excerpt":"L\u2019enjeu principal du colloque sera d\u2019envisager le num\u00e9rique comme sujet des sciences humaines et sociales. Comment le num\u00e9rique fa\u00e7onne-t-il les pratiques en SHS? Quels mod\u00e8les \u00e9conomiques pourra-t-on appliquer \u00e0 leur \u00e9ditorialisation? Comment penser la gouvernance des institutions culturelles num\u00e9riques? The main challenge of the conference will be to consider the\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1666,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1666\/","url_meta":{"origin":2356,"position":5},"title":"Infographics: Facts, not Fiction","date":"9 mai 2011","format":false,"excerpt":"Some experts who care about and practice visual news have sharp complaints about the non-factual graphics that were so widespread in the media\u2019s coverage of the death of Osama bin Laden on May 1. Journalism is a serious business where credibility is paramount. Editors need, first and foremost, to get\u2026","rel":"","context":"Dans &quot;Lhivic&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/05\/Daily.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/2356"}],"collection":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/comments?post=2356"}],"version-history":[{"count":0,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/2356\/revisions"}],"wp:attachment":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/media?parent=2356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/categories?post=2356"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/tags?post=2356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}