{"id":2259,"date":"2011-12-28T18:26:21","date_gmt":"2011-12-28T17:26:21","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/?p=2259"},"modified":"2011-12-28T18:26:21","modified_gmt":"2011-12-28T17:26:21","slug":"memoires-du-lhivic-en-ligne","status":"publish","type":"post","link":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2259\/","title":{"rendered":"M\u00e9moires du Lhivic en ligne"},"content":{"rendered":"<div>\n<p><strong>Th\u00e8ses<\/strong><\/p>\n<ul>\n<li>Estelle Blaschke, <a href=\"http:\/\/issuu.com\/lhivic\/docs\/blaschke\">Photography and the Commodification of Images. From the Bettmann Archive to Corbis (1924-2010)<\/a>, th\u00e8se de doctorat de l\u2019EHESS, sous la direction d\u2019Andr\u00e9 Gunthert et Michel Poivert, 2011, 280 p. (11 Mo).<\/li>\n<li>Thierry Gervais, <a href=\"http:\/\/issuu.com\/lhivic\/docs\/l-illustration-photographique\">L\u2019Illustration photographique. Naissance du spectacle de l\u2019information, 1843-1914<\/a>, th\u00e8se de doctorat de l\u2019EHESS, sous la direction d\u2019Andr\u00e9 Gunthert et Christophe Prochasson, 2007, 554 p. (14,7 Mo).<\/li>\n<li>Andr\u00e9 Gunthert, <a href=\"http:\/\/issuu.com\/lhivic\/docs\/la-conquete-de-l-instantane\">La Conqu\u00eate de l\u2019instantan\u00e9. Arch\u00e9ologie de l\u2019imaginaire photographique en France, 1841-1895<\/a>, th\u00e8se de doctorat de l\u2019EHESS, sous la direction de Louis Marin et Hubert Damisch, EHESS, 1999, 372 p. (2,6 Mo).<\/li>\n<\/ul>\n<p><strong>Masters<\/strong><\/p>\n<ul>\n<li>Valentina Grossi, <a href=\"http:\/\/issuu.com\/lhivic\/docs\/grossi\">Pratiques de la retouche num\u00e9rique. Enqu\u00eate sur les usages m\u00e9diatiques de la photographie<\/a>, m\u00e9moire de master, Lhivic\/EHESS, sous la direction d\u2019Andr\u00e9 Gunthert, 2011, 137 p. (2,3 Mo).<\/li>\n<li>Fanny Lautissier, <a href=\"http:\/\/issuu.com\/lhivic\/docs\/lautissier09\">Les archives photographiques face aux enjeux de la transition num\u00e9rique<\/a>, m\u00e9moire de master, Lhivic\/EHESS, sous la direction d\u2019Andr\u00e9 Gunthert, 2009, 144 p. (1,8 Mo).<\/li>\n<li>Marc Lenot, <a href=\"http:\/\/issuu.com\/lhivic\/docs\/lenot09\">Invention et retrait de l\u2019artiste. L\u2019exemple du photographe tch\u00e8que Miroslav Tich\u00fd<\/a>, m\u00e9moire de master, Lhivic\/EHESS, sous la direction d\u2019Andr\u00e9 Gunthert, 2009, 171 p. (3,9 Mo).<\/li>\n<li>C\u00e9cile N\u00e9d\u00e9lec, <a href=\"http:\/\/issuu.com\/lhivic\/docs\/nedelec10\">Andr\u00e9 Jammes, collectionneur et historien de la photographie<\/a>, m\u00e9moire de master, Lhivic\/EHESS, sous la direction d\u2019Andr\u00e9 Gunthert, 2010, 134 p. (1,7 Mo).<\/li>\n<li>Am\u00e9lie Segonds, <a href=\"http:\/\/issuu.com\/lhivic\/docs\/segonds09\">Indexation visuelle et recherche d\u2019images sur le Web. Enjeux et probl\u00e8mes<\/a>, m\u00e9moire de master, Lhivic\/EHESS, sous la direction d\u2019Andr\u00e9 Gunthert, 2009, 164 p. (3,1 Mo).<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Th\u00e8ses Estelle Blaschke, Photography and the Commodification of Images. From the Bettmann Archive to Corbis (1924-2010), th\u00e8se de doctorat de l\u2019EHESS, sous [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[26],"tags":[30,59,74],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p80eNK-Ar","jetpack-related-posts":[{"id":2324,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2324\/","url_meta":{"origin":2259,"position":0},"title":"Soutenance de th\u00e8se &quot;La mise en r\u00e9cit de Shoah&quot;, par R\u00e9my Besson","date":"20 f\u00e9vrier 2012","format":false,"excerpt":"La th\u00e8se de doctorat d'histoire culturelle La mise en r\u00e9cit de Shoah, pr\u00e9sent\u00e9e par R\u00e9my Besson \u00e0 l'EHESS sera soutenue publiquement le vendredi\u00a0 9 mars 2012, de 9h \u00e0 13h, salle Vasari, \u00e0 l'INHA, 2 rue Vivienne, 75002 Paris. Jury: Christian Delage, (directeur, Paris 8\/EHESS), Philippe Despoix (universit\u00e9 de Montr\u00e9al),\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1250,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1250\/","url_meta":{"origin":2259,"position":1},"title":"Soutenance de th\u00e8se \u201cPaysages sur commande\u201d, par Rapha\u00eble Bertho","date":"3 d\u00e9cembre 2010","format":false,"excerpt":"La th\u00e8se de doctorat d\u2019histoire Paysages sur commande. Les missions photographiques en France et en Allemagne dans les ann\u00e9es 1980 et 1990, pr\u00e9sent\u00e9e par Rapha\u00eble Bertho \u00e0 l\u2019EPHE sera soutenue le mardi 7 d\u00e9cembre 2010 \u00e0 14h30, Biblioth\u00e8que nationale de France, salle 70, 11, quai Fran\u00e7ois Mauriac, 75013 Paris. Jury:\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2203,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2203\/","url_meta":{"origin":2259,"position":2},"title":"Soutenance de th\u00e8se \u201cLa photographie et l&#039;industrialisation des images\u201d, par Estelle Blaschke","date":"15 novembre 2011","format":false,"excerpt":"La th\u00e8se de doctorat d'histoire de l'art La photographie et l'industrialisation des images. Du Fonds Bettmann \u00e0 l'agence Corbis (1924-2010), pr\u00e9sent\u00e9e par Estelle Blaschke \u00e0 l'EHESS sera soutenue publiquement le lundi 12 d\u00e9cembre 2011, de 9h \u00e0 13h, salle 303, \u00e0 l'Institut d'art et d'arch\u00e9ologie, centre Michelet, 3, rue Michelet,\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/11\/fiche_bettmann-300x203.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2252,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2252\/","url_meta":{"origin":2259,"position":3},"title":"Th\u00e8se &quot;La photographie et l\u2019industrialisation des images&quot;","date":"15 d\u00e9cembre 2011","format":false,"excerpt":"Soutenue le 12 d\u00e9cembre 2011 au centre Michelet, la th\u00e8se de doctorat de l'EHESS, Photography and the Commodification of Images. From the Bettmann Archive to Corbis (1924-2010), pr\u00e9sent\u00e9e par Estelle Blaschke ((Direction: Andr\u00e9 Gunthert et Michel Poivert, jury pr\u00e9sid\u00e9 par Fran\u00e7ois Brunet, avec l'aimable participation de Matthias Bruhn et d'Olivier\u2026","rel":"","context":"Dans &quot;imagenum&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm8.staticflickr.com\/7167\/6514612865_10ecf52cda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2742,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2742\/","url_meta":{"origin":2259,"position":4},"title":"Soutenance de th\u00e8se &quot;Paparazzi \u00e0 l&#039;\u00e9cran&quot;, par Aurore Fossard","date":"7 juin 2013","format":false,"excerpt":"La th\u00e8se de doctorat d\u2019\u00e9tudes cin\u00e9matographiques Paparazzi \u00e0 l\u2019\u00e9cran. Pr\u00e9sence et disparition d\u2019un personnage photographe dans la fiction cin\u00e9matographique et t\u00e9l\u00e9vis\u00e9e occidentale (1940-2008), pr\u00e9sent\u00e9e par Aurore Fossard \u00e0 l\u2019universit\u00e9 Lumi\u00e8re Lyon 2 sera soutenue publiquement le 10 juin 2013 \u00e0 14h, amphith\u00e9\u00e2tre Benveniste, 7, rue Raulin, 69007 Lyon. R\u00e9sum\u00e9. Si\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/06\/paparazzi_pinna_1952-291x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2055,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2055\/","url_meta":{"origin":2259,"position":5},"title":"Colloque &quot;Si la photo est bonne&quot;","date":"3 octobre 2011","format":false,"excerpt":"\"Si la photo est bonne. Le r\u00f4le des industries culturelles dans la construction de l'imaginaire\" colloque du Lhivic\/EHESS (direction: Andr\u00e9 Gunthert), 20-22 octobre 2011, Auditorium, Institut national d'histoire de l'art (INHA), 2, rue Vivienne\/6, rue des Petits-Champs, 75002 Paris (plan), entr\u00e9e libre. Argument. Fortement structur\u00e9es autour des formes culturelles, les\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/10\/silaphotoestbonne-695x463.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/2259"}],"collection":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/comments?post=2259"}],"version-history":[{"count":0,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/2259\/revisions"}],"wp:attachment":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/media?parent=2259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/categories?post=2259"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/tags?post=2259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}