{"id":1842,"date":"2011-07-03T12:55:55","date_gmt":"2011-07-03T10:55:55","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/?p=1842"},"modified":"2011-07-03T12:55:55","modified_gmt":"2011-07-03T10:55:55","slug":"colloque-photographie-internet-et-reseaux-sociaux","status":"publish","type":"post","link":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1842\/","title":{"rendered":"Colloque &quot;Photographie, Internet et r\u00e9seaux sociaux&quot;"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/gunthert\/5908354159\/in\/photostream\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" src=\"http:\/\/farm6.static.flickr.com\/5318\/5908354159_aa057fc3a0_m.jpg\" alt=\"\" width=\"240\" height=\"160\" \/><\/a>Sous la pr\u00e9sidence de Jean-No\u00ebl Jeanneney et Fran\u00e7ois H\u00e9bel, organis\u00e9 par Fran\u00e7oise Docquiert, mod\u00e9r\u00e9 par Pierre Haski, au th\u00e9\u00e2tre d&rsquo;Arles, bd Georges Cl\u00e9menceau.<\/p>\n<ul>\n<li>6 juillet, 10h-13h. <strong>L\u2019\u00c9conomie des images<\/strong>: ouverture par Jean-No\u00ebl Jeanneney, historien. Intervenants: Andr\u00e9 Gunthert, historien (EHESS), \u00ab\u00a0L\u2019image fluide\u00a0\u00bb; David Campbell, consultant (Durham University); Frank Evers (Evergreen Pictures); Karim Ben Khelifa, photographe.<\/li>\n<li>7 juillet, 10h-13h. <strong>Photographie et internet<\/strong>. intervenants: Joan Fontcuberta, photographe; Penelope Umbrico (School of Visual Arts, NY); Thomas Mailaender, photographe multim\u00e9dia; Fred Ritchin (New York University); Guillaume Herbaut, photographe; Marie-Anne Ferry Fall (ADAGP).<\/li>\n<li>8 juillet, 10h-13h. <strong>Photographie et r\u00e9seaux sociaux<\/strong>. Intervenants: <a href=\"http:\/\/culturevisuelle.org\/icones\/1860\">Azyz Amami, blogueur<\/a>; Brian Storm (MediaStorm); Benjamin Chesterton, producteur (Duckrabbit); Vincent Glad, journaliste, chercheur (Slate\/EHESS).<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Sous la pr\u00e9sidence de Jean-No\u00ebl Jeanneney et Fran\u00e7ois H\u00e9bel, organis\u00e9 par Fran\u00e7oise Docquiert, mod\u00e9r\u00e9 par Pierre Haski, au th\u00e9\u00e2tre d&rsquo;Arles, bd Georges [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16,24],"tags":[42,62,77],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p80eNK-tI","jetpack-related-posts":[{"id":1132,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1132\/","url_meta":{"origin":1842,"position":0},"title":"Colloque &quot;Imaginaires du pr\u00e9sent&quot;","date":"9 octobre 2010","format":false,"excerpt":"Colloque international sous la direction de Vincent Lavoie, 22-23 octobre 2010, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, Grande Biblioth\u00e8que, salle M 450, 475 bd de Maisonneuve Est, Montr\u00e9al, Canada. Quelles que soient les mutations technologiques et m\u00e9diatiques touchant les imageries \u00e9v\u00e9nementielles, quelle que soit la r\u00e9ponse des soci\u00e9t\u00e9s contemporaines aux \u00e9v\u00e9nements\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2010\/10\/imaginairesdupresentaff.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1860,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1860\/","url_meta":{"origin":1842,"position":1},"title":"Photographier la r\u00e9volution tunisienne","date":"9 juillet 2011","format":false,"excerpt":"Intervention de Azyz Amami au colloque \"Photographie, internet et r\u00e9seaux sociaux\", Rencontres d'Arles, 8 juillet 2011. \"Photographier la r\u00e9volution tunisienne\" (9 min.). Azyz Amami est l'un des principaux acteurs de la r\u00e9volution tunisienne. Il restitue son exp\u00e9rience paradoxale des pratiques photographiques dans le contexte d'un engagement r\u00e9volutionnaire.","rel":"","context":"Dans &quot;imagenum&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2446,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2446\/","url_meta":{"origin":1842,"position":2},"title":"S\u00e9minaire &quot;Photographie et r\u00e9seaux sociaux&quot;","date":"5 juillet 2012","format":false,"excerpt":"S\u00e9minaire des Rencontres d\u2019Arles, 9, 10 et 11 juillet 2012, Th\u00e9\u00e2tre municipal d\u2019Arles, Bd Georges Cl\u00e9menceau (entr\u00e9e libre sur r\u00e9servation, t\u00e9l\u00e9charger le programme complet). Ce que la photographie \"en ligne\" nous apprend des modifications en cours ou des permanences dans les pratiques des jeunes... Devenue la premie\u0300re des pratiques amateurs,\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2012\/07\/arles2012.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1038,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1038\/","url_meta":{"origin":1842,"position":3},"title":"Colloque &quot;Livre, imprim\u00e9 et photographie&quot;","date":"24 ao\u00fbt 2010","format":false,"excerpt":"Les 10 et 11 septembre 2010, GwinZegal, Centre d\u2019Art et de Recherche, organise un colloque sur le th\u00e8me: \"Livre, imprim\u00e9 et photographie\", autour d\u2019\u00e9diteurs, de responsables d\u2019institutions photographiques, d\u2019artistes et de chercheurs de diff\u00e9rents pays europ\u00e9ens. Le colloque se tiendra au th\u00e9\u00e2tre du Champ au Roy \u00e0 Guingamp. Le livre\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2010\/08\/guingamp.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2444,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2444\/","url_meta":{"origin":1842,"position":4},"title":"Interventions 2011-2012","date":"26 juin 2012","format":false,"excerpt":"\"La disparition du photographique\", Photofocus, Paris, septembre 2011. \"La fabrique du d\u00e9sir. Naissance des industries culturelles\", communication, colloque \"Si la photo est bonne\", INHA, octobre 2011. \"Du piratage \u00e0 l'\u0153uvre collaborative: \u00e9mergence d'une culture de l'appropriation\", conf\u00e9rence dans le seminaire de la fondation Copernic, Paris, novembre 2011. \"L'image fluide, la\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm8.staticflickr.com\/7218\/7189835724_c807a6e371_n.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2055,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2055\/","url_meta":{"origin":1842,"position":5},"title":"Colloque &quot;Si la photo est bonne&quot;","date":"3 octobre 2011","format":false,"excerpt":"\"Si la photo est bonne. Le r\u00f4le des industries culturelles dans la construction de l'imaginaire\" colloque du Lhivic\/EHESS (direction: Andr\u00e9 Gunthert), 20-22 octobre 2011, Auditorium, Institut national d'histoire de l'art (INHA), 2, rue Vivienne\/6, rue des Petits-Champs, 75002 Paris (plan), entr\u00e9e libre. Argument. Fortement structur\u00e9es autour des formes culturelles, les\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/10\/silaphotoestbonne-695x463.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/1842"}],"collection":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/comments?post=1842"}],"version-history":[{"count":0,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/1842\/revisions"}],"wp:attachment":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/media?parent=1842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/categories?post=1842"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/tags?post=1842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}