{"id":1361,"date":"2011-02-03T08:23:18","date_gmt":"2011-02-03T07:23:18","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/?p=1361"},"modified":"2011-02-03T08:23:18","modified_gmt":"2011-02-03T07:23:18","slug":"donkey-kong-la-10e-merveille-du-monde","status":"publish","type":"post","link":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1361\/","title":{"rendered":"Donkey Kong, la 10e merveille du monde!"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/gunthert\/5412211373\/\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" src=\"http:\/\/farm5.static.flickr.com\/4152\/5412211373_d66c56c71e_m_d.jpg\" alt=\"\" width=\"154\" height=\"216\" \/><\/a>Le s\u00e9minaire \u00ab\u00a0<a href=\"http:\/\/culturevisuelle.org\/mim\/\">Mythes, images, monstres<\/a>\u00a0\u00bb s&rsquo;associe avec le s\u00e9minaire \u00ab\u00a0<a href=\"http:\/\/www.ihtp.cnrs.fr\/spip.php%3Farticle984\" target=\"_blank\">Histoire culturelle du cin\u00e9ma<\/a>\u00ab\u00a0, anim\u00e9 par Christophe Gauthier, Anne Kerlan-Stephens et Dimitri Vezyroglou, pour une s\u00e9ance sp\u00e9ciale.<\/p>\n<p>Intervenant invit\u00e9: <a href=\"http:\/\/jeuvideal.com\/\" target=\"_blank\">Alexis Blanchet<\/a>, charg\u00e9 de cours \u00e0 l&rsquo;universit\u00e9 Paris 10 Nanterre, auteur de <em>Des pixels \u00e0 Hollywood. Cin\u00e9ma et jeu vid\u00e9o, une histoire \u00e9conomique et culturelle<\/em> (Pix\u2019n Love, 2010), proposera une intervention intitul\u00e9e: \u00ab\u00a0Donkey Kong, la 10e merveille du monde! Cin\u00e9ma et jeu vid\u00e9o, une histoire culturelle et \u2026monstrueuse\u00a0\u00bb (<strong>M\u00e0J<\/strong>: <a href=\"http:\/\/mes-elucubrations-ludo-numeriques.blogspot.com\/2011\/02\/donkey-kong-la-10e-merveille-du-monde.html\" target=\"_blank\">compte rendu par S\u00e9bastien Saugout<\/a>) .<\/p>\n<p>Jeudi 10 f\u00e9vrier 2011, 18-20h, Auditorium, <a href=\"http:\/\/maps.google.com\/?cid=283026876343992821\" target=\"_blank\">INHA, Galerie Colbert<\/a>, 2, rue Vivienne\/6, rue des Petits-Champs, 75002 Paris, entr\u00e9e libre.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le s\u00e9minaire \u00ab\u00a0Mythes, images, monstres\u00a0\u00bb s&rsquo;associe avec le s\u00e9minaire \u00ab\u00a0Histoire culturelle du cin\u00e9ma\u00ab\u00a0, anim\u00e9 par Christophe Gauthier, Anne Kerlan-Stephens et Dimitri Vezyroglou, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[16,19,26,27],"tags":[57],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p80eNK-lX","jetpack-related-posts":[{"id":1421,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1421\/","url_meta":{"origin":1361,"position":0},"title":"Parution &quot;Le cin\u00e9ma en France \u00e0 la veille du parlant&quot;","date":"21 f\u00e9vrier 2011","format":false,"excerpt":"Les \u00e9ditions du CNRS annoncent la parution de: Le cin\u00e9ma en France \u00e0 la veille du parlant par Dimitri Vezyroglou (pr\u00e9face Pascal Ory), 384 p. La France et son cin\u00e9ma dans l'entre-deux-guerres: une nouvelle histoire culturelle du septi\u00e8me art. 1928: le cin\u00e9ma muet est \u00e0 son apog\u00e9e. Le public se\u2026","rel":"","context":"Dans &quot;Publications&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3018,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/3018\/","url_meta":{"origin":1361,"position":1},"title":"S\u00e9minaires 2014-2015","date":"31 mai 2014","format":false,"excerpt":"Les usages ordinaires des images L\u2019histoire de l\u2019art comme les visual studies privil\u00e9gient une approche autonomiste des images, bien loin de leurs usages r\u00e9els. 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Mais si l'on ajoute les soubresauts de l'actualit\u00e9 \u00e0 l'agenda universitaire, on comprendra que je ne suis pas f\u00e2ch\u00e9 de voir la fin d'un mois plut\u00f4t anim\u00e9. Un relev\u00e9 qui explique mon absence sur les marches du Palais des festivals\u2026","rel":"","context":"Dans &quot;Enseignement&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/05\/cartespostalesmai.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":369,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/369\/","url_meta":{"origin":1361,"position":4},"title":"Cin\u00e9math\u00e8que: R\u00e9trospective Jim Carrey","date":"23 janvier 2010","format":false,"excerpt":"a Cin\u00e9math\u00e8que o","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2998,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2998\/","url_meta":{"origin":1361,"position":5},"title":"Le contenu partageable, objet culturel du troisi\u00e8me type","date":"8 mai 2014","format":false,"excerpt":"Vid\u00e9o des interventions de Dominique Sagot-Duvauroux (universit\u00e9 d'Angers) et moi-m\u00eame au s\u00e9minaire du Centre de recherche sur les arts et le langage (CRAL\/EHESS), consacr\u00e9 \u00e0 \"L'appropriation, condition des circulations culturelles\" (28\/04\/14, captation de Momoko Seto).","rel":"","context":"Dans &quot;Enseignement&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/1361"}],"collection":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/comments?post=1361"}],"version-history":[{"count":0,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/1361\/revisions"}],"wp:attachment":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/media?parent=1361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/categories?post=1361"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/tags?post=1361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}