{"id":1250,"date":"2010-12-03T15:26:14","date_gmt":"2010-12-03T14:26:14","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/?p=1250"},"modified":"2010-12-03T15:26:14","modified_gmt":"2010-12-03T14:26:14","slug":"soutenance-de-these-paysages-sur-commande-par-raphaele-bertho","status":"publish","type":"post","link":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1250\/","title":{"rendered":"Soutenance de th\u00e8se \u201cPaysages sur commande\u201d, par Rapha\u00eble Bertho"},"content":{"rendered":"<p><a href=\"http:\/\/www.flickr.com\/photos\/gunthert\/4331919816\/\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft\" src=\"http:\/\/farm5.static.flickr.com\/4053\/4331919816_8084778bc3_t.jpg\" alt=\"\" width=\"75\" height=\"100\" \/><\/a>La th\u00e8se de doctorat d\u2019histoire <em>Paysages sur commande. Les missions photographiques en France et en Allemagne dans les ann\u00e9es 1980 et 1990,<\/em> pr\u00e9sent\u00e9e par Rapha\u00eble Bertho \u00e0 l\u2019EPHE sera soutenue le mardi 7 d\u00e9cembre 2010 \u00e0 14h30, Biblioth\u00e8que nationale de France, salle 70, 11, quai Fran\u00e7ois Mauriac, 75013 Paris.<\/p>\n<p><em>Jury<\/em>: Fr\u00e9d\u00e9ric Barbier (EPHE\/CNRS, directeur de th\u00e8se), Andr\u00e9 Gunthert (EHESS), Jean-Michel Leniaud (EPHE\/Ecole des Chartes), Bruno P\u00e9quignot (universit\u00e9 Paris 3), Michel Poivert (universit\u00e9 Paris 1).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La th\u00e8se de doctorat d\u2019histoire Paysages sur commande. Les missions photographiques en France et en Allemagne dans les ann\u00e9es 1980 et 1990, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16,26],"tags":[54,62,74],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p80eNK-ka","jetpack-related-posts":[{"id":2497,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2497\/","url_meta":{"origin":1250,"position":0},"title":"Cycle de conf\u00e9rences &quot;L\u2019image en danger&quot;","date":"7 septembre 2012","format":false,"excerpt":"Les conf\u00e9rences Campus Condorcet: \"L\u2019image en danger. Destruction, censure, manipulation\" (sous la direction de Jean-Claude Schmitt, EHESS). Lundi, 19h, the\u0301a\u0302tre de la Commune, 2 rue \u00c9douard-Poisson, et lyce\u0301e Le Corbusier, 44 rue L\u00e9opold-R\u00e9chossi\u00e8re, a\u0300 Aubervilliers. 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Du Fonds Bettmann \u00e0 l'agence Corbis (1924-2010), pr\u00e9sent\u00e9e par Estelle Blaschke \u00e0 l'EHESS sera soutenue publiquement le lundi 12 d\u00e9cembre 2011, de 9h \u00e0 13h, salle 303, \u00e0 l'Institut d'art et d'arch\u00e9ologie, centre Michelet, 3, rue Michelet,\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/11\/fiche_bettmann-300x203.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2055,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2055\/","url_meta":{"origin":1250,"position":2},"title":"Colloque &quot;Si la photo est bonne&quot;","date":"3 octobre 2011","format":false,"excerpt":"\"Si la photo est bonne. 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Fortement structur\u00e9es autour des formes culturelles, les\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/10\/silaphotoestbonne-695x463.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2947,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2947\/","url_meta":{"origin":1250,"position":3},"title":"Etudes photographiques n\u00b0 31 en bouclage","date":"27 f\u00e9vrier 2014","format":false,"excerpt":"Nous bouclons actuellement le num\u00e9ro 31 d'Etudes photographiques, qui para\u00eetra fin mars, apr\u00e8s une longue interruption (M\u00e0J: r\u00e9f\u00e9rence en ligne). Editorial: \"Les nouveaux chemins de l'authenticit\u00e9 photographique\" Fictions du territoire Rapha\u00eble Bertho, \"Les grands ensembles. Cinquante ans d'une politique-fiction fran\u00e7aise\" Jordi Ballesta, \"La commande, au risque de l'illustration\" Partager l'image\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2014\/02\/couv31-329x500.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":273,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/273\/","url_meta":{"origin":1250,"position":4},"title":"&quot;Images d&#039;architecture et imaginaires photographiques&quot;","date":"18 d\u00e9cembre 2009","format":false,"excerpt":"Acteur significatif de la photographie de la seconde moiti\u00e9 du XIXe si\u00e8cle, Alphonse Terpereau (1839-1897) a eu une activit\u00e9 marqu\u00e9e par la commande publique. 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