{"id":1227,"date":"2010-11-12T05:25:22","date_gmt":"2010-11-12T04:25:22","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/?p=1227"},"modified":"2010-11-12T05:25:22","modified_gmt":"2010-11-12T04:25:22","slug":"le-petit-recit-visuel-live","status":"publish","type":"post","link":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1227\/","title":{"rendered":"Le Petit R\u00e9cit visuel (live)"},"content":{"rendered":"<p>Diffusion <em>live<\/em> de la journ\u00e9e d&rsquo;\u00e9tudes \u00ab\u00a0Le petit r\u00e9cit visuel\u00a0\u00bb, vendredi 12 novembre, de 9h30 \u00e0 18h, \u00e0 l\u2019INHA en salle Vasari, 2 rue Vivienne, 75002, Paris (<em>copie d&rsquo;\u00e9cran<\/em>).<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-1232\" title=\"petitrecitstream\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2010\/11\/petitrecitstream.jpg\" alt=\"\" width=\"691\" height=\"276\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2010\/11\/petitrecitstream.jpg 691w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2010\/11\/petitrecitstream-300x120.jpg 300w\" sizes=\"(max-width: 691px) 100vw, 691px\" \/><\/p>\n<p><strong><!--more-->Programme<\/strong><\/p>\n<ul>\n<li>9h30, \u00ab\u00a0introduction\u00a0\u00bb, Anne-Violaine Houcke, doctorante en \u00e9tudes cin\u00e9matographiques, Paris Ouest Nanterre \u2013 ENS, R\u00e9my Besson, doctorant en histoire et cin\u00e9ma, EHESS<\/li>\n<li>10h \u2013 12h30, 1e table, mod\u00e9ratrice: Giusy Pisano, Universit\u00e9 Paris-Est\/Marne-la-Vall\u00e9e<\/li>\n<li>\u00ab\u00a0<em>Les Morts de la Seine<\/em> (<em>Death in the Seine<\/em>, Peter Greenaway, 1989) ou le petit r\u00e9cit de la R\u00e9volution\u00a0\u00bb, Simone Paterman, doctorante en philosophie, Paris 8<\/li>\n<li>\u00ab\u00a0Errol Morris\u2019 <em>The thin blue line<\/em> and the thin line between the documented and the imaged\u00a0\u00bb, Barbara Filser, post-doctorante en histoire et m\u00e9dia, HFG-Karlsruhe<\/li>\n<li>\u00ab\u00a0L\u2019hypertexte \u00e9clat\u00e9\u00a0: \u00e9criture du fragment et po\u00e9sie du  document dans les <em>Appunti<\/em> de Pier Paolo Pasolini\u00a0\u00bb, Gabriele Anaclerio, post-doctorant en \u00e9tudes cin\u00e9matographiques,  Rome 3<\/li>\n<li>\u00ab\u00a0Mirrors and Networks \u2013 Interlacing narratives and narrative layers in  the self-reflexive films of Andrzej Wajda\u00a0\u00bb, Matylda Szewczyk, doctorante en histoire visuelle, Varsovie<\/li>\n<li>14h-15h30, projection de <a href=\"http:\/\/andreasfohr.fr\/index.php?\/en-cour\/2010\/\" target=\"_blank\"><em>Der Gang aufs Land<\/em><\/a> (28 min., 2010) et d\u00e9bat avec le vid\u00e9aste <a href=\"http:\/\/andreasfohr.fr\/\" target=\"_blank\">Andr\u00e9as Fohr<\/a>. Mod\u00e9ratrice : St\u00e9fanie Baumann (Paris 8)<\/li>\n<li>15h45-17h30, 2e table, mod\u00e9rateur: Andr\u00e9 Gunthert, EHESS<\/li>\n<li>\u00ab\u00a0Gilles  Caron, photographe de Mai 68 ou un petit r\u00e9cit culturel du visuel\u00a0\u00bb, Audrey Leblanc, doctorante en histoire visuelle, EHESS (<em>NB: intervention non retransmise<\/em>)<\/li>\n<li>\u00ab\u00a0<em>Octobre 1917. P.C. du bataillon apr\u00e8s l\u2019attaque<\/em>. Les albums photographiques des combattants de la Grande Guerre \u00e0 l\u2019\u00e9preuve du r\u00e9cit\u00a0\u00bb, Sarah Fargeon, ENS en histoire<\/li>\n<li>\u00ab\u00a0Visages de la pauvret\u00e9, surgissements (dans des  films de Franck Capra)\u00a0\u00bb, Olivier Maillart, post-doctorant en \u00e9tudes cin\u00e9matographiques Paris  Ouest Nanterre<\/li>\n<li>17h30-18h, discussion<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Diffusion live de la journ\u00e9e d&rsquo;\u00e9tudes \u00ab\u00a0Le petit r\u00e9cit visuel\u00a0\u00bb, vendredi 12 novembre, de 9h30 \u00e0 18h, \u00e0 l\u2019INHA en salle Vasari, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[41,42,54],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p80eNK-jN","jetpack-related-posts":[{"id":3018,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/3018\/","url_meta":{"origin":1227,"position":0},"title":"S\u00e9minaires 2014-2015","date":"31 mai 2014","format":false,"excerpt":"Les usages ordinaires des images L\u2019histoire de l\u2019art comme les visual studies privil\u00e9gient une approche autonomiste des images, bien loin de leurs usages r\u00e9els. Utilis\u00e9es comme supports de r\u00e9cit ou espaces de projection, les images interviennent dans la culture ordinaire de fa\u00e7on d\u00e9corative ou utilitaire, \u00e0 des fins principalement r\u00e9f\u00e9rentielles,\u2026","rel":"","context":"Dans &quot;Enseignement&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":190,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/190\/","url_meta":{"origin":1227,"position":1},"title":"S\u00e9minaire &quot;Permanence de la t\u00e9l\u00e9vision&quot;","date":"4 d\u00e9cembre 2009","format":false,"excerpt":"Permanence de la t\u00e9l\u00e9vision, s\u00e9minaire du CEMTI (Centre d\u2019\u00e9tudes sur les m\u00e9dias, les technologies et l\u2019internationalisation), universit\u00e9 Paris 8, sous la responsabilit\u00e9 de Gilles Delavaud. Les s\u00e9ances ont lieu en salle A329 de 9h30 \u00e0 12h30. Universit\u00e9 Paris 8, UFR Culture & communication, ED Sciences sociales (Mo St-Denis Universit\u00e9). Vendredi\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2741,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2741\/","url_meta":{"origin":1227,"position":2},"title":"S\u00e9minaires 2013-2014","date":"10 mai 2013","format":false,"excerpt":"Iconologie des m\u00e9diacultures S\u00e9minaire de recherche ouvert aux doctorants et masterants, 1er et 3e jeudis du mois de 18 h \u00e0 20 h (INHA, salle Walter-Benjamin, 2 rue Vivienne, 75002 Paris), du 7 novembre 2013 au 15 mai 2014 (descriptif sur le site de l\u2019EHESS). Le projet du s\u00e9minaire est\u2026","rel":"","context":"Dans &quot;Enseignement&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8176\/8030898820_90aacbef92.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2405,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/2405\/","url_meta":{"origin":1227,"position":3},"title":"S\u00e9minaires 2012-2013","date":"29 mai 2012","format":false,"excerpt":"Le g\u00e9nie des images, enqu\u00eate en culture visuelle S\u00e9minaire de recherche ouvert aux \u00e9tudiants en M2 et doctorants, 1er et 3e jeudis du mois de 18 h \u00e0 20 h (INHA, salle Walter-Benjamin, 2 rue Vivienne, 75002 Paris), du 15 novembre 2012 au 16 mai 2013 (descriptif sur le site\u2026","rel":"","context":"Dans &quot;Enseignement&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/farm9.staticflickr.com\/8476\/8376092204_18cf9f4f1e.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1678,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/1678\/","url_meta":{"origin":1227,"position":4},"title":"S\u00e9minaires 2011-2012","date":"9 mai 2011","format":false,"excerpt":"Mythes, images monstres S\u00e9minaire de recherche ouvert aux \u00e9tudiants en M2 et doctorants, 1er et 3e jeudis du mois de 18 h \u00e0 20 h 30 (INHA, salle Walter-Benjamin, 2 rue Vivienne, 75002 Paris), du 3 novembre 2011 au 3 mai 2012 (descriptif sur le site de l'EHESS). Consacr\u00e9 \u00e0\u2026","rel":"","context":"Dans &quot;Enseignement&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/05\/P5050819.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":758,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/758\/","url_meta":{"origin":1227,"position":5},"title":"Publicit\u00e9 et contenu \u00e9ditorial dans la presse f\u00e9minine","date":"24 mai 2010","format":false,"excerpt":"La prochaine s\u00e9ance du s\u00e9minaire \"Mythes, Images, Monstres\", jeudi 27 mai (INHA, salle Walter Benjamin, 18h-20h) accueillera Alexie Geers, doctorante \u00e0 l'universit\u00e9 Paris X, pour une pr\u00e9sentation intitul\u00e9e: \"Publicit\u00e9 et contenu \u00e9ditorial dans la presse f\u00e9minine\". \"A partir du constat actuel que la lecture d\u2019un magazine de presse f\u00e9minine est\u2026","rel":"","context":"Dans &quot;Agenda&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2010\/05\/marieclaire.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/1227"}],"collection":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/comments?post=1227"}],"version-history":[{"count":0,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/posts\/1227\/revisions"}],"wp:attachment":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/media?parent=1227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/categories?post=1227"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/tags?post=1227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}