{"id":4,"date":"2013-03-31T12:30:12","date_gmt":"2013-03-31T10:30:12","guid":{"rendered":"http:\/\/culturevisuelle.org\/icones\/\/?page_id=2"},"modified":"2016-09-29T09:42:19","modified_gmt":"2016-09-29T07:42:19","slug":"a-propos","status":"publish","type":"page","link":"http:\/\/histoirevisuelle.fr\/cv\/icones\/a-propos\/","title":{"rendered":"A propos"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-2769\" title=\"portraitag2\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/portraitag2.png\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/portraitag2.png 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/portraitag2-150x150.png 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/>Andr\u00e9 Gunthert est historien, enseignant-chercheur en culture visuelle, ma\u00eetre de conf\u00e9rences \u00e0 l&rsquo;EHESS (<a href=\"http:\/\/www.andre.gunthert.fr\/\">contact<\/a>, <a href=\"https:\/\/twitter.com\/gunthert\" target=\"_blank\">Twitter<\/a>, <a href=\"http:\/\/culturevisuelle.org\/icones\/publications\" target=\"_blank\">publications<\/a>).<\/p>\n<p>Ouvert en novembre 2009, <em>L&rsquo;Atelier des ic\u00f4nes<\/em>, blog scientifique sp\u00e9cialis\u00e9 dans le domaine des \u00e9tudes visuelles, a ferm\u00e9 ses portes en octobre 2014. L&rsquo;auteur invite les lecteurs \u00e0 le suivre sur <a href=\"http:\/\/imagesociale.fr\/\">L&rsquo;image sociale<\/a>.<\/p>\n<p>Le mat\u00e9riel audiovisuel reproduit est mobilis\u00e9 \u00e0 des fins de documentation, d&rsquo;interpr\u00e9tation ou de d\u00e9monstration et s&rsquo;inscrit sous le r\u00e9gime de l&rsquo;exception de citation.<\/p>\n<p>Comme en s\u00e9minaire, toutes les questions, remarques ou critiques sont les bienvenues, mais la grossi\u00e8ret\u00e9 est exclue. Les commentaires sont ferm\u00e9s 60 jours apr\u00e8s la publication des billets.<\/p>\n<p><strong>&gt; <a href=\"http:\/\/culturevisuelle.org\/icones\/tag\/bestof\">Best-of<\/a><\/strong><\/p>\n<table style=\"width: 695px\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2895\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2863\" title=\"Viralit\u00e9 du selfie, d\u00e9placements du portrait\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/285Selfie.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/285Selfie.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/285Selfie-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2832\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2862\" title=\"Permettre les usages publics des images\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/283_situationnisme.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/283_situationnisme.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/283_situationnisme-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2822\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2861\" title=\"Pourquoi la conversation l'emportera\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/282boringfacebook.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/282boringfacebook.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/282boringfacebook-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2720\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2860\" title=\"Notes sur la d\u00e9contextualisation\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/272Missingcat.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/272Missingcat.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/272Missingcat-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2731\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2703\" title=\"La culture du partage ou la revanche des foules\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/2191martine.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/2191martine.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/2191martine-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2671\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2695\" title=\"On a retrouv\u00e9 la soucoupe d\u2019Adamski\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2671Invaders.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2671Invaders.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2671Invaders-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2659\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2700\" title=\"La photo-souvenir, monument de l\u2019histoire priv\u00e9e\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/09\/2659musees.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/09\/2659musees.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2011\/09\/2659musees-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2609\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2692\" title=\"Les ic\u00f4nes du photojournalisme, ou la narration visuelle inavouable\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2609inavouable.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2609inavouable.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2609inavouable-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2592\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2690\" title=\"Croire au P\u00e8re No\u00ebl\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2592perenoel.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2592perenoel.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2592perenoel-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2544\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2701\" title=\"A quoi ressemble un roman de Philip K. Dick?\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/2544dick.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/2544dick.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/2544dick-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2500\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2694\" title=\"\u201cLe fant\u00f4me de la grotte\u201d, \u0153uvre industrielle\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2500ghostgrotto.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2500ghostgrotto.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2500ghostgrotto-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2555\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2691\" title=\" L\u2019exception \u201cI want you\u201d\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2555iwantyou.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2555iwantyou.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2555iwantyou-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/2296\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2688\" title=\"Blue Marble. La terre vue de l\u2019espace\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2296bluemarble.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2296bluemarble.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/2296bluemarble-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/1978\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2686\" title=\"Replay 9\/11\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/1978nineeleven.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/1978nineeleven.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/1978nineeleven-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/1235\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2702\" title=\"G\u00e9n\u00e9alogie de la Playmate\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/1235playmate.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/1235playmate.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/1235playmate-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/1059\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2684\" title=\"Les portes des toilettes sont-elles sexistes?\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/1059toilettes.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/1059toilettes.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/1059toilettes-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/518\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2704\" title=\"Le dinosaure, figure des pouvoirs de la science\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/518dinos.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/518dinos.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/04\/518dinos-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/470\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2682\" title=\"La Lune est pour demain. La promesse des images\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/470lune.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/470lune.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/470lune-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/207\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2681\" title=\"M\u00e9tamorphoses de l\u2019\u00e9volution. Le r\u00e9cit d\u2019une image\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/207zallinger.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/207zallinger.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/207zallinger-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<td><a href=\"http:\/\/culturevisuelle.org\/icones\/124\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2680\" title=\"Du bruit dans l\u2019image (l\u2019homme a-t-il march\u00e9 sur la Lune?)\" src=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/124aldrin.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/124aldrin.jpg 160w, http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2013\/03\/124aldrin-150x150.jpg 150w\" sizes=\"(max-width: 160px) 100vw, 160px\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Andr\u00e9 Gunthert est historien, enseignant-chercheur en culture visuelle, ma\u00eetre de conf\u00e9rences \u00e0 l&rsquo;EHESS (contact, Twitter, publications). Ouvert en novembre 2009, L&rsquo;Atelier des [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"jetpack_shortlink":"https:\/\/wp.me\/P80eNK-4","jetpack-related-posts":[{"id":2910,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/publications\/","url_meta":{"origin":4,"position":0},"title":"Publications","date":"27 janvier 2014","format":false,"excerpt":"Publications r\u00e9centes Paris 14-18. La guerre au quotidien. Photographies de Charles Lansiaux (avec la collaboration d'Emmanuelle Toulet), Paris, Paris Biblioth\u00e8ques, 2014. Catalogue de l'exposition \u201cParis 14-18, la guerre au quotidien. Photographies de Charles Lansiaux\u201d, pr\u00e9sent\u00e9e \u00e0 la Galerie des biblioth\u00e8ques de la Ville de Paris, 22, rue Mahler, Paris 4e,\u2026","rel":"","context":"Dans &quot;Notes&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/histoirevisuelle.fr\/cv\/icones\/wp-content\/uploads\/2014\/01\/catalogue-Lansiaux200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2842,"url":"http:\/\/histoirevisuelle.fr\/cv\/icones\/biblio\/","url_meta":{"origin":4,"position":1},"title":"Biblio","date":"7 novembre 2013","format":false,"excerpt":"S\u00e9minaire \"Iconologie des m\u00e9diacultures\", 2013-2014. Bibliographie g\u00e9n\u00e9rale Pierre Bourdieu, La Distinction. Critique sociale du jugement, Paris, Minuit, 1979. Michel de Certeau, L\u2019Invention du quotidien, (1) Arts de faire (1980), Paris, Gallimard, 1990. Joffre Dumazedier, Vers une civilisation du loisir? (2e ed. augm.), Paris, \u00e9d. du Seuil, 1972. Umberto Eco, Du\u2026","rel":"","context":"Dans &quot;Notes&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/pages\/4"}],"collection":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/comments?post=4"}],"version-history":[{"count":1,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":3045,"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/pages\/4\/revisions\/3045"}],"wp:attachment":[{"href":"http:\/\/histoirevisuelle.fr\/cv\/icones\/wp-json\/wp\/v2\/media?parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}